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Save a Psd to Be Read by Windows From Mac

  1. Photoshop User Guide
  2. Introduction to Photoshop
    1. Dream it. Get in.
    2. What'due south new in Photoshop
    3. Edit your showtime photo
    4. Create documents
    5. Photoshop | Common Questions
    6. Photoshop organization requirements
    7. Drift presets, deportment, and settings
    8. Become to know Photoshop
  3. Photoshop and Adobe services
    1. Photoshop and Adobe Stock
    2. Creative Cloud Libraries
    3. Creative Cloud Libraries in Photoshop
    4. Use the Touch Bar with Photoshop
    5. Piece of work with Illustrator artwork in Photoshop
    6. Use the Capture in-app extension in Photoshop
    7. Grid and guides
    8. Creating deportment
    9. Undo and history
    10. Default keyboard shortcuts
    11. Touch capabilities and customizable workspaces
  4. Photoshop on the iPad
    1. Photoshop on the iPad | Common questions
    2. Get to know the workspace
    3. System requirements | Photoshop on the iPad
    4. Create, open, and export documents
    5. Add photos
    6. Work with layers
    7. Draw and paint with brushes
    8. Make selections and add together masks
    9. Retouch your composites
    10. Work with adjustment layers
    11. Conform the tonality of your blended with Curves
    12. Utilise transform operations
    13. Crop and rotate your composites
    14. Rotate, pan, zoom, and reset the canvas
    15. Work with Type layers
    16. Work with Photoshop and Lightroom
    17. Get missing fonts in Photoshop on the iPad
    18. Japanese Text in Photoshop on the iPad
    19. Manage app settings
    20. Touch shortcuts and gestures
    21. Keyboard shortcuts
    22. Edit your image size
    23. Livestream as you create in Photoshop on the iPad
    24. Correct imperfections with the Healing Brush
    25. Create brushes in Capture and utilise them in Photoshop
    26. Work with Camera Raw files
    27. Create and work with Smart Objects
    28. Adapt exposure in your images with Contrivance and Burn
  5. Photoshop on the web beta
    1. Common questions | Photoshop on the web beta
    2. Introduction to the workspace
    3. System requirements | Photoshop on the web beta
    4. Keyboard shortcuts | Photoshop on the web beta
    5. Supported file types | Photoshop on the web beta
    6. Open and work with deject documents
    7. Collaborate with stakeholders
    8. Employ limited edits to your cloud documents
  6. Cloud documents
    1. Photoshop deject documents | Common questions
    2. Photoshop cloud documents | Workflow questions
    3. Manage and work with cloud documents in Photoshop
    4. Upgrade cloud storage for Photoshop
    5. Unable to create or salve a cloud document
    6. Solve Photoshop cloud certificate errors
    7. Collect cloud document sync logs
    8. Share access and edit your deject documents
    9. Share files and comment in-app
  7. Workspace
    1. Workspace basics
    2. Create documents
    3. Utilise the Touch Bar with Photoshop
    4. Microsoft Punch support in Photoshop
    5. Tool galleries
    6. Performance preferences
    7. Use tools
    8. Touch gestures
    9. Touch on capabilities and customizable workspaces
    10. Technology previews
    11. Metadata and notes
    12. Speedily share your creations
    13. Place Photoshop images in other applications
    14. Preferences
    15. Default keyboard shortcuts
    16. Rulers
    17. Show or hide non-printing Extras
    18. Specify columns for an epitome
    19. Disengage and history
    20. Panels and menus
    21. Place files
    22. Position elements with snapping
    23. Position with the Ruler tool
    24. Presets
    25. Customize keyboard shortcuts
    26. Grid and guides
  8. Web, screen, and app design
    1. Photoshop for pattern
    2. Artboards
    3. Device Preview
    4. Re-create CSS from layers
    5. Slice web pages
    6. HTML options for slices
    7. Modify slice layout
    8. Work with web graphics
    9. Create spider web photo galleries
  9. Image and color basics
    1. How to resize images
    2. Work with raster and vector images
    3. Image size and resolution
    4. Acquire images from cameras and scanners
    5. Create, open up, and import images
    6. View images
    7. Invalid JPEG Mark mistake | Opening images
    8. Viewing multiple images
    9. Customize colour pickers and swatches
    10. High dynamic range images
    11. Lucifer colors in your image
    12. Convert between color modes
    13. Colour modes
    14. Erase parts of an image
    15. Blending modes
    16. Cull colors
    17. Customize indexed color tables
    18. Prototype information
    19. Misconstrue filters are unavailable
    20. About color
    21. Color and monochrome adjustments using channels
    22. Choose colors in the Color and Swatches panels
    23. Sample
    24. Color mode or Image style
    25. Colour bandage
    26. Add a conditional mode change to an action
    27. Add swatches from HTML CSS and SVG
    28. Chip depth and preferences
  10. Layers
    1. Layer basics
    2. Nondestructive editing
    3. Create and manage layers and groups
    4. Select, group, and link layers
    5. Place images into frames
    6. Layer opacity and blending
    7. Mask layers
    8. Utilize Smart Filters
    9. Layer comps
    10. Move, stack, and lock layers
    11. Mask layers with vector masks
    12. Manage layers and groups
    13. Layer effects and styles
    14. Edit layer masks
    15. Excerpt assets
    16. Reveal layers with clipping masks
    17. Generate image assets from layers
    18. Work with Smart Objects
    19. Blending modes
    20. Combine multiple images into a group portrait
    21. Combine images with Motorcar-Blend Layers
    22. Align and distribute layers
    23. Re-create CSS from layers
    24. Load selections from a layer or layer mask'due south boundaries
    25. Knockout to reveal content from other layers
    26. Layer
    27. Flattening
    28. Composite
    29. Background
  11. Selections
    1. Select and Mask workspace
    2. Make quick selections
    3. Become started with selections
    4. Select with the marquee tools
    5. Select with the lasso tools
    6. Select a colour range in an image
    7. Adjust pixel selections
    8. Convert between paths and selection borders
    9. Channel basics
    10. Movement, copy, and delete selected pixels
    11. Create a temporary quick mask
    12. Salvage selections and alpha aqueduct masks
    13. Select the paradigm areas in focus
    14. Duplicate, split, and merge channels
    15. Channel calculations
    16. Selection
    17. Bounding box
  12. Image adjustments
    1. Perspective warp
    2. Reduce camera shake blurring
    3. Healing castor examples
    4. Export color lookup tables
    5. Adjust image sharpness and blur
    6. Sympathize color adjustments
    7. Apply a Brightness/Contrast aligning
    8. Adapt shadow and highlight detail
    9. Levels adjustment
    10. Adjust hue and saturation
    11. Adjust vibrance
    12. Adjust color saturation in image areas
    13. Brand quick tonal adjustments
    14. Use special color effects to images
    15. Heighten your image with colour balance adjustments
    16. High dynamic range images
    17. View histograms and pixel values
    18. Friction match colors in your image
    19. How to ingather and straighten photos
    20. Convert a colour image to black and white
    21. Adjustment and fill layers
    22. Curves adjustment
    23. Blending modes
    24. Target images for press
    25. Conform colour and tone with Levels and Curves eyedroppers
    26. Arrange HDR exposure and toning
    27. Filter
    28. Mistiness
    29. Dodge or burn image areas
    30. Make selective color adjustments
    31. Replace object colors
  13. Adobe Camera Raw
    1. Camera Raw system requirements
    2. What's new in Photographic camera Raw
    3. Introduction to Camera Raw
    4. Create panoramas
    5. Supported lenses
    6. Vignette, grain, and dehaze effects in Camera Raw
    7. Default keyboard shortcuts
    8. Automatic perspective correction in Camera Raw
    9. How to make non-destructive edits in Camera Raw
    10. Radial Filter in Camera Raw
    11. Manage Photographic camera Raw settings
    12. Open up, process, and save images in Photographic camera Raw
    13. Repair images with the Enhanced Spot Removal tool in Camera Raw
    14. Rotate, ingather, and conform images
    15. Conform color rendering in Camera Raw
    16. Characteristic summary | Adobe Camera Raw | 2018 releases
    17. New features summary
    18. Process versions in Camera Raw
    19. Make local adjustments in Camera Raw
  14. Epitome repair and restoration
    1. Remove objects from your photos with Content-Aware Fill
    2. Content-Enlightened Patch and Motility
    3. Retouch and repair photos
    4. Correct image baloney and noise
    5. Basic troubleshooting steps to fix most bug
  15. Prototype transformations
    1. Transform objects
    2. Accommodate crop, rotation, and canvas size
    3. How to crop and straighten photos
    4. Create and edit panoramic images
    5. Warp images, shapes, and paths
    6. Vanishing Indicate
    7. Use the Liquify filter
    8. Content-aware scaling
    9. Transform images, shapes, and paths
    10. Warp
    11. Transform
    12. Panorama
  16. Cartoon and painting
    1. Paint symmetrical patterns
    2. Draw rectangles and modify stroke options
    3. Most cartoon
    4. Describe and edit shapes
    5. Painting tools
    6. Create and modify brushes
    7. Blending modes
    8. Add color to paths
    9. Edit paths
    10. Paint with the Mixer Castor
    11. Castor presets
    12. Gradients
    13. Gradient interpolation
    14. Fill up and stroke selections, layers, and paths
    15. Draw with the Pen tools
    16. Create patterns
    17. Generate a pattern using the Pattern Maker
    18. Manage paths
    19. Manage blueprint libraries and presets
    20. Describe or paint with a graphics tablet
    21. Create textured brushes
    22. Add dynamic elements to brushes
    23. Gradient
    24. Paint stylized strokes with the Art History Brush
    25. Paint with a pattern
    26. Sync presets on multiple devices
  17. Text
    1. Work with OpenType SVG fonts
    2. Format characters
    3. Format paragraphs
    4. How to create blazon effects
    5. Edit text
    6. Line and character spacing
    7. Standard arabic and Hebrew type
    8. Fonts
    9. Troubleshoot fonts
    10. Asian blazon
    11. Create type
    12. Text Engine error using Blazon tool in Photoshop | Windows 8
    13. World-Ready composer for Asian Scripts
    14. How to add and edit the text in Photoshop
  18. Video and animation
    1. Video editing in Photoshop
    2. Edit video and animation layers
    3. Video and blitheness overview
    4. Preview video and animations
    5. Paint frames in video layers
    6. Import video files and epitome sequences
    7. Create frame animations
    8. Artistic Cloud 3D Blitheness (Preview)
    9. Create timeline animations
    10. Create images for video
  19. Filters and furnishings
    1. Utilize the Liquify filter
    2. Apply the Blur Gallery
    3. Filter basics
    4. Filter effects reference
    5. Add together Lighting Effects
    6. Employ the Adaptive Broad Angle filter
    7. Use the Oil Paint filter
    8. Layer effects and styles
    9. Apply specific filters
    10. Smudge prototype areas
  20. Saving and exporting
    1. Save your files in Photoshop
    2. Export your files in Photoshop
    3. Supported file formats
    4. Salve files in graphics formats
    5. Move designs betwixt Photoshop and Illustrator
    6. Save and export video and animations
    7. Save PDF files
    8. Digimarc copyright protection
  21. Printing
    1. Print 3D objects
    2. Impress from Photoshop
    3. Print with color direction
    4. Contact Sheets and PDF Presentations
    5. Impress photos in a moving-picture show package layout
    6. Impress spot colors
    7. Duotones
    8. Print images to a commercial printing press
    9. Amend color prints from Photoshop
    10. Troubleshoot press problems | Photoshop
  22. Automation
    1. Creating actions
    2. Create data-driven graphics
    3. Scripting
    4. Process a batch of files
    5. Play and manage actions
    6. Add conditional actions
    7. Near actions and the Actions panel
    8. Record tools in actions
    9. Add a conditional mode alter to an action
    10. Photoshop UI toolkit for plug-ins and scripts
  23. Color Management
    1. Agreement color management
    2. Keeping colors consequent
    3. Color settings
    4. Work with colour profiles
    5. Colour-managing documents for online viewing
    6. Color-managing documents when press
    7. Color-managing imported images
    8. Proofing colors
  24. Content authenticity
    1. Learn virtually content credentials
    2. Identity and provenance for NFTs
    3. Connect accounts for artistic attribution
  25. 3D and technical imaging
    1. Photoshop 3D | Common questions around discontinued 3D features
    2. Creative Cloud 3D Blitheness (Preview)
    3. Impress 3D objects
    4. 3D painting
    5. 3D panel enhancements | Photoshop
    6. Essential 3D concepts and tools
    7. 3D rendering and saving
    8. Create 3D objects and animations
    9. Epitome stacks
    10. 3D workflow
    11. Measurement
    12. DICOM files
    13. Photoshop and MATLAB
    14. Count objects in an paradigm
    15. Combine and convert 3D objects
    16. 3D texture editing
    17. Conform HDR exposure and toning
    18. 3D console settings

You tin easily save your Photoshop paradigm files to a wide array of pop image formats.

Save in TIFF format

TIFF is a flexible raster (bitmap) image format supported by virtually all pigment, prototype-editing, and page-layout applications.

  1. Choose File > Save As, choose TIFF from the Format carte du jour, and click Save.

  2. In the TIFF Options dialog box, select the options you want, and click OK.

    Bit depth (32‑flake just)

    Specifies the bit depth (16, 24, or 32‑bit) of the saved image.

    Image Compression

    Specifies a method for compressing the composite epitome data. If y'all're saving a 32‑bit TIFF file, y'all can specify that the file be saved with predictor compression, simply yous don't take the choice to apply JPEG pinch. Predictor compression offers improved compression past rearranging floating indicate values, and works with both LZW and ZIP compression.

    JPEG compression is available only for opaque RGB and grayscale images that are eight-$.25-per-channel and no more than 30,000 pixels wide or high.

    Pixel Order

    Writes the TIFF file with the channels data interleaved or organized by plane. Previously, Photoshop e'er wrote TIFF files with the channel lodge interleaved. Theoretically, the Planar order file tin exist read and written faster, and offers a lilliputian better compression. Both channel orders are backward compatible with before versions of Photoshop.

    Byte Club

    Selects the platform on which the file tin can be read. This option is useful when yous don't know what plan the file may exist opened in. Photoshop and most recent applications can read files using either IBM PC or Macintosh byte order.

    Save Paradigm Pyramid

    Preserves multiresolution information. Photoshop does not provide options for opening multiresolution files; the image opens at the highest resolution within the file. However, Adobe InDesign and some epitome servers provide back up for opening multiresolution formats.

    Salve Transparency

    Preserves transparency every bit an additional alpha channel when the file is opened in another application. Transparency is always preserved when the file is reopened in Photoshop.

    Layer Compression

    Specifies a method for compressing data for pixels in layers (as opposed to composite data). Many applications cannot read layer information and skip over it when opening a TIFF file. Photoshop, however, can read layer information in TIFF files. Although files that include layer information are larger than those that don't, saving layer data eliminates the demand to save and manage a split up PSD file to hold the layer data. Cull Discard Layers And Salvage A Re-create if you desire to flatten the image.

    To take Photoshop prompt you lot before saving an image with multiple layers, select Ask Before Saving Layered TIFF Files in the File Handling surface area of the Preferences dialog box.

Save in JPEG format

You lot can use the Relieve Equally control to salvage CMYK, RGB, and grayscale images in JPEG (*.jpg) format. JPEG compresses file size by selectively discarding data. You can likewise salve an prototype as i or more JPEGs using the File > Export > Save For Web (Legacy) command.

JPEG supports only 8-bit images. If you relieve a 16-scrap image to this format, Photoshop automatically lowers the bit depth.

To rapidly relieve a medium-quality JPEG, play the Save As JPEG Medium activity on the file. You tin access this action by choosing Production from the Actions console card.

  1. Choose File > Save As, and choose JPEG from the Format menu.

  2. In the JPEG Options dialog box, select the options you want, and click OK.

    Matte

    Offers matte color choices to simulate the advent of groundwork transparency in images that contain transparency.

    Image Options

    Specifies the epitome quality. Choose an option from the Quality card, elevate the Quality pop-upward slider, or enter a value between 0 and 12 in the Quality text box.

    Format Options

    Specifies the format of your JPEG file. Baseline ("Standard") uses a format recognized by most web browsers. Baseline Optimized creates a file with optimized colour and a slightly smaller file size. Progressive displays a serial of increasingly detailed versions of the image (yous specify how many) equally it downloads. (Not all web browsers support optimized and Progressive JPEG images.)

    Some applications may non be able to read a CMYK file saved in JPEG format. Too, if you find that a Coffee application tin can't read a JPEG file, try saving the file without a thumbnail preview.

Relieve in PNG format

You can use the Salve As control to save RGB, Indexed Color, Grayscale, and Bitmap mode images in PNG format.

  1. Choose File > Save As, and choose PNG from the Format menu.

  2. Select an Interlace selection:

    None

    Displays the image in a browser merely when download is complete.

    Interlaced

    Displays low-resolution versions of the epitome in a browser as the file downloads. Interlacing makes download fourth dimension seem shorter, but it as well increases file size.

You lot tin consign artboards, layers, layer groups, or documents as JPEG, GIF, or PNG images. Select the items in the Layers panel, correct-click the selection, and so select Quick Export or Export As from the context carte.

Save in GIF format

You can apply the Save As command to salvage a Photoshop document with one or more than frames as blithe GIF.

  1. Cull File > Salvage As, and choose GIF from the Format menu.

  2. Specify options in the GIF Salve Options dialog.

    GIF Save Options dialog
    GIF Save Options dialog

Relieve in Photoshop EPS format

Almost all folio-layout, word-processing, and graphics applications have imported or placed EPS (Encapsulated PostScript) files. To print EPS files, you should apply a PostScript printer. Non-PostScript printers volition impress only the screen-resolution preview.

  1. Choose File > Save Every bit, and choose Photoshop EPS from the Format menu.

  2. In the EPS Options dialog box, select the options you want, and click OK:

    Preview

    Creates a depression-resolution paradigm to view in the destination awarding. Cull TIFF to share an EPS file between Windows and Mac OS systems. An eight‑bit preview is in colour and a 1‑bit preview is in blackness and white with a jagged appearance. An 8‑flake preview creates a larger file size than a ane‑bit preview. Encounter also Bit depth.

    Encoding

    Determines the manner image data is delivered to a PostScript output device. Encoding options are described beneath.

    Include Halftone Screen and Include Transfer Function

    Command print specifications for high‑finish commercial print jobs. Consult your printer before selecting these options.

    Transparent Whites

    Displays white areas as transparent. This choice is available just for images in Bitmap manner.

    PostScript Colour Direction

    Converts file data to the printer'due south colour space. Exercise not select this choice if you plan to identify the image in another color-managed certificate.

    Only PostScript Level 3 printers support PostScript Color Management for CMYK images. To print a CMYK epitome using PostScript Color Management on a Level 2 printer, catechumen the image to Lab mode before saving in EPS format.

    Include Vector Data

    Preserves whatsoever vector graphics (such as shapes and blazon) in the file. However, vector data in EPS and DCS files is available merely to other applications; vector data is rasterized if you reopen the file in Photoshop. This option is only available if your file contains vector data.

    Image Interpolation

    Applies bicubic interpolation to smooth the low-resolution preview if printed.

Photoshop EPS encoding options

ASCII or ASCII85

Encodes if y'all're printing from a Windows organization, or if yous experience printing errors or other difficulties.

Binary

Produces a smaller file and leaves the original information intact. However, some folio-layout applications and some commercial impress spooling and network printing software may not support binary Photoshop EPS files.

JPEG

Compresses the file by discarding some image information. You tin can choose the amount of JPEG compression from very picayune (JPEG Maximum Quality) to a lot (JPEG Low Quality). Files with JPEG encoding tin be printed only on Level 2 (or later) PostScript printers and may non divide into private plates.

Salve in Photoshop DCS format

DCS (Desktop Color Separations) format is a version of EPS that lets you lot save color separations of CMYK or multichannel files.

  1. Choose File > Save As, and choose Photoshop DCS 1.0 or Photoshop DCS 2.0 from the Format bill of fare.

  2. In the DCS Format dialog box, select the options you desire, and click OK.

    The dialog box includes all the options available for Photoshop EPS files. Additionally, the DCS menu gives you the selection of creating a 72‑ppi composite file that can exist placed in a folio-layout application or used to proof the epitome:

    DCS 1.0 format

    Creates ane file for each colour channel in a CMYK image. Yous tin also create a fifth file: a grayscale or color composite. To view the blended file, yous must keep all five files in the aforementioned binder.

    DCS 2.0 format

    Retains spot color channels in the prototype. Yous can salvage the colour channels as multiple files (equally for DCS 1.0) or equally a single file. The single-file selection saves disk space. You can also include a grayscale or colour blended.

Save in Photoshop Raw format

The Photoshop Raw format is a file format for transferring images betwixt applications and reckoner platforms. The Photoshop Raw format is non the same as camera raw.

  1. Cull File > Save As, and choose Photoshop Raw from the Format menu.

  2. In the Photoshop Raw Options dialog box, do the following:

    • (Mac Bone) Specify values for File Type and File Creator, or take the default values.

    • Specify a Header parameter.

    • Select whether to salve the channels in an interleaved or non-interleaved order.

Relieve in BMP format

The BMP format is an image format for the Windows operating arrangement. The images can range from black-and-white (1 fleck per pixel) upwardly to 24‑bit color (xvi.7 one thousand thousand colors).

  1. Cull File > Save Every bit, and choose BMP from the Format menu.

  2. Specify a filename and location, and click Save.

  3. In the BMP Options dialog box, select a file format, specify the scrap depth and, if necessary, select Flip Row Club. For more options, click Avant-garde Modes and specify the BMP options.

Salvage in Cineon format (16-bit images only)

RGB images that are xvi bits per channel can be saved in Cineon format for utilize in the Kodak Cineon Moving-picture show System.

  1. Choose File > Relieve As and choose Cineon from the Format carte du jour.

Salvage in Targa format

The Targa (TGA) format supports bitmap and RGB images with 8 $.25/Channel. It is designed for Truevision® hardware, but it is also used in other applications.

  1. Cull File > Save As, and cull Targa from the Format menu.

  2. Specify a filename and location, and click Save.

  3. In the Targa Options dialog box, select a resolution, select the Shrink (RLE) option if you want to compress the file, and and then click OK.

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Source: https://helpx.adobe.com/photoshop/using/saving-files-graphics-formats.html

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